Read "Theft" from The Crimes of Paris: A True Story of Murder, Theft, and Detection by Dorothy and Thomas Hoobler:

"It was a Monday and the Louvre was closed. As was standard practice at the museum on that day of the week, only maintenance workers, cleaning staff, curators, and a few other employees roamed the cavernous halls of the building that was once the home of France’s kings but since the revolution had been devoted to housing the nation’s art treasures.

Acquired through conquest, wealth, good taste, and plunder, those holdings were splendid and vast—so much so that the Louvre could lay claim to being the greatest repository of art in the world. With some fifty acres of gallery space, the collection was too immense for visitors to view in a day or even, some thought, in a lifetime.¹ Most guidebooks, therefore, advised tourists not to miss the Salon Carré (Square room). In that single room could be seen two paintings by Leonardo da Vinci, three by Titian, two by raphael, two by Correggio, one by Giorgione, three by Veronese, one by Tintoretto, and—representing non-Italians—one each by Rubens, Rembrandt, and Velázquez.

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