Before Willa Cather turned primarily to the fiction that made her reputation, she produced striking poems that were collected in April Twilights. It was her literary debut, preceding the publication of O Pioneers! by nine years. In her introduction distinguished Cather scholar Bernice Slote notes that this edition of April Twilights restores what had been “an almost lost, certainly blurred, portion of the creative life of a great novelist.”

First published in 1923, A Lost Lady is one of Willa Cather’s classic novels about life on the Great Plains. It harks back to Nebraska’s early history and contrasts those days with an unsentimental portrait of the materialistic world that supplanted the frontier. In her subtle portrait of Marian Forrester, whose life unfolds in the midst of this disquieting transition, Cather created one of her most memorable and finely drawn characters.

Although the land on which the Nebraska farm boy Claude Wheeler lives is settled, he himself has inherited the pioneer spirit of adventure, the frontiersman’s purpose, and the settler’s sense of idealism. In One of Ours, Willa Cather explores the dissonance between Claude’s attitudes and his physical reality and studies how this conflict affects him.

The Burglar’s Christmas was originally published near the beginning of Willa Cather’s writing career in 1896 under the pseudonym of Elizabeth L. Seymour. The story follows William Crawford on the cold streets of Chicago as he contemplates the multiple failures plaguing his life, including his time at college and careers in journalism, real estate, and performing. Distraught, he tries one more role: thief. Attempting to burgle a residence and caught in the act by the lady of the house, William must come to terms with the choices that led him to that moment.

Willa Cather’s third novel, The Song of the Lark, depicts the growth of an artist, singer Thea Kronborg, a character inspired by the Swedish-born immigrant and renowned Wagnerian soprano Olive Fremstad. Thea’s early life, however, has much in common with Cather’s own. Set from 1885 to 1909, the novel traces Thea’s long journey from her fictional hometown of Moonstone, Colorado, to her source of inspiration in the Southwest, and to New York and the Metropolitan Opera House. 

 Hailed by reviewers and readers for its originality, vitality, and truth, this novel secured Willa Cather a place in the first rank of American writers. Ántonia Shimerda is memorable as the warmhearted daughter of Bohemians who must adapt to a hard life on the desolate prairie. She survives and matures, a pioneer woman made radiant by spirit.

Cather’s O Pioneers! is the sentimental and somewhat controversial story of the Bergsons, a family of Swedish pioneers that settles for life on the American prairie. While Alexandra, the family matriarch, is able to turn the family farm into a financial success, her brother Emil must grapple with the solace and tragedy of forbidden love. 

These fourteen travel articles, written for a newspaper in Lincoln, Nebraska, and eventually collected and published in book form in 1956, are striking for first impressions colored by a future novelist’s feeling for history and for beauty in unexpected forms.

The seven stories in this volume were written during the ascending and perhaps most triumphant years of Willa Cather’s career, the period during which she published nine books, including My Ántonia, A Lost Lady, and Death Comes for the Archbishop. For the most part ironic in tone, these stories are, as Bernice Slote observes, “bound by the geometrics of urban life—streets and offices, workers and firms, the business world of New York and Pittsburgh, the cities which by 1929 Willa Cather had known well for over thirty years.” 

This collection of Willa Cather stories—her first book of fiction and the capstone of her early career—is as relevant today as at the time of its initial publication. The passions, ambitions, and pretensions, the cant and the pathos of the art world, artists, pseudo-artists, aficionados, and dilettantes—all are amply represented here in the midst of their foibles, grand affairs, and failures, drawn with great style and subtlety by a writer gathering her formidable powers.