Read the beginning of the Introduction from A Summer to Be: A Memoir by the Daughter of Hamlin Garland by Isabel Garland Lord, edited and with an introduction by Keith Newlin:

"Readers who come to A Summer to Be because of an interest in Hamlin Garland will discover a fascinating side of the writer that he never revealed in his eight volumes of autobiography—the intensely-loving, domineering father whose deep love for his eldest daughter led him to change the trajectory of his career even as that love impeded his daughter's independence. Garland was ill equipped by temperament for marriage and fatherhood, to which he came late, marrying in 1899 at age thirty-nine. He had spent his adulthood in almost incessant travel as he fulfilled lecture engagements and indulged his own wanderlust by exploring the West, by visiting the goldfields in the Yukon, and by journeying to England to meet the authors with whom he had been corresponding. As he entered his fourth decade, he found it difficult to break his solitary habits and enter the inevitable compromises of marriage and family life. Though he was a devoted father who spared no effort to ease the passage into adulthood of his two daughters, Mary Isabel, born in 1903, and Constance, born in 1907, his fatherly guidance was as often overbearing as it was loving—as Isabel (who dropped her first name in her late teens) amply illustrates in her memoir.

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Read the beginning of Chapter 1, "High Noon in Shelby", from Shelby's Folly: Jack Dempsey, Doc Kearns, and the Shakedown of a Montana Boomtown by Jason Kelly:

"Dust kicked up around Shelby, Montana, at dawn on July 4, 1923, as thousands of people started venturing into the streets. From cots in overcrowded hotel lobbies, sleeping cars on railroad sidings, and campsites along the Marias River, boxing fans awakened to a holiday festival before the heavyweight championship fight between Jack Dempsey and Tommy Gibbons. Still more arrived by train and car, clogging the town that had hoped for many more free-spending tourists despite having no place to put them.

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Read from the introduction to In the School of War by Roger J. Spiller:

"After artillery deploys for battle, arranges itself into batteries, a commander usually orders a ranging shot, a round or two meant to estimate how far his guns will reach. Or so it was before modern science intervened. Although we don’t know for sure, someone among Henry V’s archers at Agincourt—masters of the lethal, indirect firepower that would turn that day in his favor—must have fired such a shot, adding one more tactical detail to the King’s picture of the field where he and his men were about to fight. Centuries later, Robert E. Lee reserved to himself the order for the first shot as he looked over the open fields at Fredericksburg and General Burnside’s Grand Divisions forming for their attack. In those days, after throwing a few cannonballs in the enemy’s direction, a commander could see for himself just when the enemy’s advancing troops might fall under the shadow of his imaginary artillery fan. Then he could decide whether to open up his artillery to spoil the attack or, waiting longer, to kill it outright—the “it” being hundreds or even thousands of other human beings.

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Read the beginning of the Prologue, "Realization of a Dream of Ages" by Colin Burgess from Footprints in the Dust: The Epic Voyages of Apollo, 1969-1975:

"It was the spring of 1961, and the United States was in desperate need of some good news. The nation was experiencing considerable pain and undergoing an inescapable insight, with a mounting number of civil rights protests highlighting a desire for profound attitudinal change. At the heart of this movement was the spreading use of nonviolent “sit-ins,” for the most part courageously led by young black college students protesting against enforced segregation in department stores, supermarkets, theaters, libraries, and elsewhere. Over the next few years these demonstrations would escalate in size and turmoil, often marred by violence, deaths, and bloody divisions across the nation.

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