The people who populate Chisom Okafor’s Winged Witnesses are broken by numerous afflictions and darknesses, but there is a common companionship that binds them, as in a loop. Their voices call out in the wild and their jaded feet drag through lonely pathways, where wild birds dust-bathe by the wayside. There is trauma in these poems, but also light and salvation, and everything that comes between.

Wolves in Shells is a modern monomyth telling the story of a woman navigating homelessness, trauma, and memories as she attempts to leave a violent partner. Reflecting on her familial heritage, this survivor grapples with the way she, the women of her history, and her daughter have been conditioned to accommodate the demands of the male ego and predation.

In Nine Persimmons Kerry James Evans traces a geography both intimate and far-flung—Tuscaloosa and Biloxi, Charleston and New Orleans, the Cloisters above Washington Heights, a banana orchard in the Azores, a journey to Rome. The poems move with the gravity of pilgrimage, their compass set between wandering and witness, as they cross from ballfields and shipyards into the charged realms of myth and ritual.

An Otherwise Healthy Woman delves into the complexity of modern health care, illness, and healing, offering an alternative narrative to heroics and miracles. Drawing on Amy Haddad’s firsthand experiences as a nurse and patient, the poems in this collection teach us to take a moment to stop and acknowledge the longing for compassion in each of us, what ought to be the immediate human response to suffering.

All that Refuses to Die is a poetry collection that interrogates the present conditions of Africans through a historical lens. Michael Imossan moves into historical spaces such as museums and sites of enslavement, touching artifacts that hold meaning, and asking, Where was Africa? Where is Africa now? And what has changed?

With wit and vulnerability, Brandel France de Bravo explores resilience in the face of climate change and a global pandemic, race, and the concept of a self, all while celebrating the power of breath as “baptism on repeat.” Whether her inspiration is twelfth-century Buddhist mind-training slogans or the one-footed crow who visits her daily, France de Bravo mines the tension between the human desire for permanence and control, and life’s fluid, ungraspable nature.

Old Rags and Iron is a collection of narrative poems about the life experiences of working-class people with whom the author, R. F. McEwen, is not only acquainted but whose lives he has shared. McEwen supplemented his income as a teacher while working as a professional logger and tree trimmer, and he writes with great love and respect for blue-collar families.

The Windflower Home Almanac of Poetry is an anthology of poems originally selected by Ted Kooser in 1980 and published by his Windflower Press, a small, independent publisher that specialized in poetry from the Great Plains. The collection contains almost two hundred poems from dozens of poets and was designed to resemble a commonplace farmer’s almanac. 

Dear Wallace addresses the poet and insurance executive Wallace Stevens in an attempt to reconsider art, power, and creativity amid the demands of everyday responsibility. Exploring relationships between modernism, motherhood, poetry, and privilege, the speaker of these poems puts her daily routines in dialogue with his. Curious, funny, and wry, Julie Choffel confronts Stevens as an unlikely peer who lived and wrote in the same city and weather as she does now, imagining a present-day conversation about the many ways creative practice is informed by social context.

Let Our Bodies Change the Subject is a poetry collection that dives headlong into the terrifying, wondrous, sleep-deprived existence of being a parent in twenty-first-century America. In clear, dynamic verses that disarm then strike, Jared Harél investigates our days through the keyhole of domesticity, through personal lyrics and cultural reckonings.