Are people who work in publishing just frustrated writers?
I have spoken to undergraduate English and journalism classes many times about careers in book publishing, and one of the things I always tell the students is: if you want to be a writer, donβt get a job in publishing. Why is that, you ask? (As they always do.) There are many reasons:
- Youβll get overwhelmed in seeing the number of manuscripts that get submitted and quickly rejected.
- Youβll see so much bad writing that youβll lose confidence in your own.
- Youβll see so much good writing that youβll lose confidence in your own.
- Youβll see books you think are great get skewered by reviewers and youβll be terrified that the same will happen to your bookβif it even gets noticed at all, because youβll also know that fewer than 10 percent of your publishing houseβs books get reviewed by the major media.
- Youβll see books you had high hopes for sink fast, and you wonβt want that to happen to your own book.
- Youβll be sick of βworking with wordsβ and wonβt want to spend your evenings and weekends doing the same thing you do all day long at work.
- Youβll have a headache from staring at the computer all day and wonβt want to stare it at home too.
- Compared to the camaraderie of most publishing houses, writing is a lonely endeavor and you wonβt be able to reconcile the two.
- Your mind will be filled with other writersβ manuscripts and you wonβt be able to separate your own story from theirs.
- Youβll start to enjoy the job, and even though you wonβt be getting paid very much, youβll be getting somethingβand probably a lot more than youβre getting for your own writing right now. So you end up staying, moving up the ranks, perhaps moving to a different publisher, and then the next thing you know youβve made a career out of helping other writers succeed. But you wonβt have your own novel or short story or poetry collection to show for it.
If you want to write the Great American Novel or the Best Poetry Collectionβor Anything Else creativeβgo to work for an insurance company (like Ted Kooser did) or on a cruise ship (like J D Salinger did) or as a dentist (like Zane Grey or Faye Kellerman did ) or as a military officer (like George Orwell did) or as an airline reservation agent (like Harper Lee did) or as the Postmaster (like William Faulkner did). Or, all else failing, go to work as an exterminator, just as William Burroughs did. But donβt be an editor!
In a few years after I retire, keep your eye out for my Great American Novel, which I have been working on for over twenty-five years (roughly the same amount of time Iβve been in publishing) . . .
-Donna (@donnashear)
Perfect. Thanks for writing it.