Join Politics & Prose Bookstore for a virtual panel discussion over Randon Billings Noble’s new anthology, A Harp in the Stars (Nebraska, 2021), on Saturday, October 9 at 3 p.m. EST. Noble, the editor, will be joined by two contributors, Tyrese L. Coleman and Lia Purpura.
Click here to register for the event!
In A Harp in the Stars, Randon Billings Noble has collected lyric essays written in four different forms—flash, segmented, braided, and hermit crab—from a range of diverse writers. The collection also includes a section of craft essays—lyric essays about lyric essays. And because lyric essays can be so difficult to pin down, each contributor has supplemented their work with a short meditation on this boundary-breaking form.
Randon Billings Noble is an essayist. Her collection Be with Me Always and anthology A Harp in the Stars were published by the University of Nebraska Press. She is the founding editor of the online literary magazine After the Art and teaches in West Virginia Wesleyan’s Low-Residency MFA Program and Goucher’s MFA in Nonfiction Program
Tyrese L. Coleman is the author of How to Sit, a 2019 Pen Open Book Award finalist published with Mason Jar Press in 2018. She is also the writer of the forthcoming book, Spectacle, with One World, an imprint of Penguin Random House. Writer, wife, mother, attorney, and writing instructor, she is a contributing editor at Split Lip Magazine and occasionally teaches at American University. Her essays and stories have appeared in several publications and noted in Best American Essays and the Pushcart Anthology. She is an alumni of the Writing Program at Johns Hopkins University.
Lia Purpura is the author of nine collections. A National Book Critics Circle Award finalist, she is a Guggenheim, NEA, and Fulbright Fellow, and has been awarded five Pushcart Prizes, among others. Her work appears in The New Yorker, The New Republic, Orion, The Paris Review, The Georgia Review, Agni, Emergence, and elsewhere. She is the Writer in Residence at UMBC, and has taught at conferences, workshops, prisons, and in communities and MFA programs throughout the country. It Shouldn’t Have Been Beautiful and All the Fierce Tethers are her latest collections.